Theatrical protest is a form of conscious and anti-theatrical expression that is based on the contradictions and conflicts of political ideology and their reflection in society through the policy of oppression, violence and cruelty. The protest movement has crystallized since the start of the epic which depicts the state of protest against civil wars and political conflicts, After the World War and the spread of persecution through the policy of the capitalist bourgeoisie and the emergence of the controversial dialectical movement (Hegel, Marx, Engels and Habermas) and the reflection of their views on the pioneers of the political and militant theater as a qualitative counteracting act of incitement and rejection And the mobilization of the mentality of the recipient to enlighten and enlighten him towards his fateful issues, not the emergence of currents operated by the pilgrims (postcolonial theater, theater of the oppressed and anger and the theater of the sun to the experiences of the Arab theater in particular, which emerged after the so-called Arab Spring, which came after the political change, The protest in the theater, the discovery of the nature of the conflicts and the impact of the radicalism that dominated the theatrical discourse and how it contributed to the vision of the revolution through the concept of protest. Cultural domination played a radical role in the deviation of public opinion in terms of political censorship through the colonization of minds through the ideological discourse and its radical connotations (power _ religion _ social collusion), what was only an attempt to read the anti-artistic role after the Arab Spring after the political changes after immersed Theatrical experiences, especially in Iraq, address the social reality through mobilization and mobilization against protest and violent dumping in the depiction of cruelty and violence on stage.
